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Nicedony

8.5" White Jade Hand Carved Crystal Buddha

8.5" White Jade Hand Carved Crystal Buddha

Precio habitual $554.00 USD
Precio habitual Precio de oferta $554.00 USD
Oferta Agotado
Los gastos de envío se calculan en la pantalla de pago.

What you are buying

  • Natural rough only
  • Never dyed or treated
  • Carved from one block
  • Cut by hand, not moulded
See how we make them

A white buddha worked in ivory jade. At 8.5 inches and 2130 g it wants a shelf of its own rather than a desk corner.

A pale cream-to-white stone sold under a jade trade name; mineralogically it sits closer to serpentine than to nephrite. It is softer than quartz and takes a smooth, slightly translucent finish that reads warm rather than glassy.

Figure work asks for restraint — the face carries the whole piece, and overworking it is easier than underworking it. Drapery and hands are where the carving hours actually go.

Item ID 3100808
Material 100% natural ivory jade
Size 5.9 × 3 × 8.5 in (150 × 77 × 215 mm)
Weight 2130 g

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Ships worldwide. This piece is held at our workshop and ships internationally.

  • One of a kind

    Every carving is cut from its own block of rough. The photographs on this page show the exact piece you will receive — not a sample from the same batch.

  • Natural stone, untreated

    100% natural stone, never dyed or reconstituted. Veins, inclusions and small shifts in colour are how the material formed; they are marks of origin rather than faults.

  • Carved by hand

    Cut, shaped and polished by hand. Proportions differ a little from piece to piece because each one follows the block it came out of.

  • Checked and packed

    Hand-inspected before dispatch and shipped in shockproof packaging.

The Material

Ivory Jade — The Quiet Bone

A pale, warm stone sold under a jade name it does not mineralogically own.

Ivory jade is a trade name. Mineralogically the stone sits closer to serpentine than to nephrite, and it earns the jade label through its toughness and the smooth translucent finish it takes rather than through chemistry. We would rather say so than let the name imply otherwise.

What it does have is a particular cream-to-white reading that is warm rather than clinical — closer to bone or old ivory than to porcelain. Carvers reach for it when a subject wants to look aged rather than new.

Warmth Without Colour
Old Light

Warmth Without Colour

Pale stones are traditionally associated with clarity, and this one specifically with a clarity that has been arrived at rather than assumed.

Set it where the light is warm — lamp rather than daylight.

Stillness
Quiet Room

Stillness

Its association is consistently with calm and with lowered volume rather than with energy of any kind.

Keep it in the room where nothing much happens.

Nothing to Prove
Plain Surface

Nothing to Prove

Without banding or flash, ivory jade shows only form. Traditionally it is a stone linked with modesty.

Place it where it will be seen occasionally rather than constantly.

What Ages Well
Long Keeping

What Ages Well

Pale jade-family stones are among the most commonly inherited objects in the cultures that carve them.

Given rather than bought for oneself, by long custom.

Why We Carve Figures
The Form

Why We Carve Figures

A carved figure asks for restraint. The face carries the whole piece, and the traditions these forms come from valued stillness in them over expression.

Traditionally placed at eye level or above, in a space that stays relatively undisturbed.

Our belief

Cut, not created

We believe a carving should carry the memory of the stone it came from. Every piece is cut from natural material, one at a time, and none of them repeat.